Future Archaeology’s Ohm Ω 3

I’ll be performing with Future Archaeology on Sunday night. We’ll be showing the third iteration of our Ohm Ω project (previously at Splatterpool and Index Festival). Tom will also be performing Action Film, which you really should see if you haven’t before.

Sunday April 22nd, 1pm to midnight
ANARKO ART LAB
(occupy) REVOLUTION here and now

4th Annual New York City Anarchist Art Festival in conjunction with the Anarchist Book Fair. Future Archaeology is scheduled to perform at 10pm, but come at 9:30pm to see Thomas Dexter!

The Living Theatre
21 Clinton Street, NYC
anarchistbookfair.net
livingtheatre.org

Dead of Winter Works documentary

For the last few days I’ve been preoccupied with preparing an installation I made with Future Archaeology, just barely getting it ready in time for the opening. I’ll write about that project in future posts, but I thought I should share this magnificent documentation of a project we did one year ago in the same gallery, Splatterpool artspace.

I recall being fairly inarticulate the night we did our group interview in the gallery, so my part in the video is a non-speaking one, but the other members of the group did a fine job of explaining our project Ohm Ω. I think Tom, in particular, has a knack for describing what it is we’re doing with our collaborations.

The Future Archaeology part starts about 15 minutes in.

See also: a longer video of the Ohm Ω performance

Ohm Ω at Splatterpool gallery

Here is some video documentation of Ohm Ω, a performance drawing piece I helped create with the Future Archaeology crew at Splatterpool gallery. It was very experimental, in the sense that we had no idea how it would come together until it was up on the wall. And I think it came together very nicely, the audience really got into participating toward the end!

Heather on The Here & Nowdeweyhagborg.wordpress.com

Heather wrote up a nice summary of our show this Sunday:

Members of my collaborative Future Archaeology will be showing solo work in a repurposed autobody shop on Grattan St. between Bogart and Morgan. The show is called The Here and Now and focuses on ephemeral work in many media.

The Here & Now

Well, it certainly has been a while since I posted here. I’ve enjoyed my blog vacation, but I will break my silence to write a little bit about an art show I’m involved in next Sunday.

It’s a group show of some friends and myself, working under the moniker Future Archaeology. We are interested in a pretty wide variety of things, the 6 of us, but we’ve found common ground in this idea of creating a kind of archaeology for the future, an imagined dystopia (this word is probably debatable) of hybridized artificial life. Much like science fiction writing is often a projection of the time it was written, I see Future Archaeology as being about the group’s shared anxiety about technologies losing track of their connection to human needs, about our collective displacement of the ecological basis for life.

Our projects thus far have been about molding simple electronic circuits into artificial insects. This show will be different than previous iterations (see: Canopy Assemblage, Chrysalis). We will have documentation on hand that gives some context for what the group has been working on, but primarily the show is about presenting our individual art practices in a way that isn’t so tightly bound to the group’s constructed narrative. The show is a momentary consideration of the ephemeral present tense, whether it’s literally what’s happening here & now or explores a more abstract treatment of the idea.

The project I’ll be showing involves photography and a simple obstruction (read: gimmick). During the run of the one-day-only exhibition I will be taking pictures with a set of three digital SLR cameras. The obstruction is that I’ve removed the flash memory from each camera, creating a very limited window for viewing each image in the preview screen of the camera itself. At any given moment two cameras will present a screen-based diptych in the gallery space while I’m out taking the next shot to replace the older of the two images. I will spend the day shooting photos and will have no lasting artifact.

Shoot w/o card: On, Review time: Hold, Auto power off: Off

The piece has a kind of unwieldy name that tries to explain precisely what’s going on in the camera’s settings: Shoot w/o card: On, Review time: Hold, Auto power off: Off. I like the directness of the title, but I hope it doesn’t give the impression I’m mainly interested in a kind of mechanical exercise. I’m attempting to provoke a specific kind of reaction in viewers. In denying the longevity of the image, I’m hoping that one might come to appreciate more fully what is happening in the immediate place and time. These are photos deeply rooted in the brief span between their creation and destruction. I will attempt to elevate the sense that our shared circumstances are fleeting and precious. My central challenge will be to work effectively with the small screen size, to create images that might tweak — if even briefly — the relationship to one’s surroundings.

Anyway, come see it happen! It will be part of the Bushwick BETA Spaces festival on Sunday November 14th, from noon until 7pm. Our space is on Grattan Street, very close to the Morgan Ave L train stop. You can find more information on our website.

Future Archaeology: Canopy Assemblage

Documentation for a project I helped create with Future Archaeology, the name some friends and I chose for our ad-hoc collective. We have another installation this weekend in Ellie and my apartment.

Link

Events for June 5-6, 2010

This weekend is going to be busy! I’m participating in Bushwick Open Studios (with two shows!) and I’m also teaching a session at ITP Camp.