Deep link: MIA vs. NYTwww.metafilter.com

An unflattering NY Times Magazine article on M.I.A. leads to a retaliatory tweeting of the journalist’s phone number (her response). Not quite the Streisand Effect, but similar. The retaliation might lend credibility to the claims in the article while increasing its visibility. A summary of the 8,000 word article is also available.

One revelation from the article was that having “Born Free” banned on YouTube was probably intentional — M.I.A.’s upcoming tour will be themed around censorship.

The article goes to great lengths picking apart M.I.A.’s outspoken politics, dismissing her ideas on Sri Lanka and other geo-political topics as naïve and ultimately self-serving. I appreciated this comment from MetaFilter user A Terrible Llama:

When it’s Madonna and it’s 1986, who cares, because she’s trotting out virgin/whore dichotomy or wearing cone-shaped bras and people are in a tither — fine. But when an artist is funneling additional attention into a complicated and easily misunderstood political situation they can be contributing to a kind of simplistic viewpoint that gets people killed.

Link (via)

The cultural heritage of the music video

I posted earlier about OK Go’s fantastic Rube Goldberg music video. I had assumed that because that video is embeddable the band had made inroads in convincing EMI to reverse their prohibition on video embeds. It turns out that OK Go decided to drop their label and form their own. From Fast Company:

OK Go rocketed up through the indie rock world in large measure due to the band’s brilliant, lo-fi music videos, which have spread like wildfire on YouTube. But EMI, in a misguided attempt to wring every penny out of the band’s success, decided to block embedding on the YouTube videos — meaning the videos were unable to disseminate out through music and pop culture blogs, news sites, and personal blogs the way they did before the restriction. And that’s not a minor detail: the band saw a 90% drop in views when that restriction went into effect. As in, 100,000 views one day, 10,000 views the next.

It’s obvious what the bands have at stake in this situation: more people watching their music videos translate into more exposure. Which means more income for the band. One would assume that what’s good for the band is also good for the record labels. Why would they undermine their own success?

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Ricardo at 6th Avesoundcloud.com

I made a field recording of one of my favorite buskers in New York. This guy plays regularly at the spot where I make my subway transfer at the 14th St / 6th Ave station.

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In the Dogg Houseonline.wsj.com

I admit it, I’m only linking this so you get to see Snoop Dogg get the Wall Street Journal stipple portrait treatment.
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Music Journalism is the New Piracywww.eff.org

This hits close to home since I’ve started posting about music here.

In cases like this, attacks on music blogs seem to be the latest example of the widening disconnect between the goals of the music industry’s promotional wing and its enforcement wing. Smart musicians and promoters understand that the Net is a powerful promotional tool, and know that sharing an artist’s music is the best way to earn new fans. The IFPI, on the other hand, writes clearly in its takedown notices that “Our top priority is to prevent the continued availability of the IFPI Represented Companies’ content on the internet.”

Link via Andy Baio

The Phenomenal Handclap Band – Rule the World

Parts of the video look to me like Cold Spring. Apparently these guys are playing a free show at Brooklyn Bowl on Sunday. Too bad I’ll probably be in Utica!

Link (thanks to Ben for the tip)

Phantogram – When I’m Smallwww.amazon.com

MP3 link

Formerly known as Charlie Everywhere, from Saratoga Springs. I’m kind of curious who their label was worried about getting sued by.

Guitarist Josh Carter explained that the band made the change because they have signed a record deal with British label BBE, and that the label was concerned that the name Charlie Everywhere could see to trademark issues. Carter wasn’t sure why, but said it was better to be safe, especially when the band is planning the release of their already recorded album and an international summer tour.

Amazon MP3 link via Andre Torrez