I was interviewed about Occupy.here for a recently-launched Dutch news site called de Correspondent. It was produced by Kel O’Neill and Eline Jongsma, who are wonderful people and doing very interesting things in addition to de Correspondent.
(And yes, I am posting here again!)
Looks like the last time I posted events here was in 2010, just before Bushwick Open Studios. Well it’s that time of year again!
- We Are All Anonymous, Tonight May 23rd, 7pm at Triple Canopy, 155 Freeman Street, Brooklyn, NY (sadly I won’t be able to make this, but it sounds awesome)
- Flux Death Match: The New Aesthetic, Wednesday May 30th, 8pm at Flux Factory, 39-31 29th Street, Long Island City
- Bushwick Open Studios 2012 with my Future Archaeology pals, June 1st and 2nd from 12–7pm. 1381 Myrtle Ave Apt 4C (entrance on Himrod St), near the Knickerbocker M train stop. I’ll be showing some of my recent photography work as well as Occupy.here.
This morning I stopped by Zuccatti Park and left the wifi router running ows.offline! It seems that weekday mornings are a lot less crowded, and the people I met who were awake and in the park were exactly the people who I wanted to know about the project. I chatted with some folks at the info desk and they were really enthusiastic about the idea! I explained the idea to this one guy who promptly plugged me into the generator and said “you are awesome!”
I’m just going to play it by ear and just drop in for maintenance/backups and promotion when I can.
The label reads:
- Connect to wifi network “ows.offline”
- Visit http://ows.offline/
Code release and promotional flyers coming soon!
Occupy Wall Street
Like many New Yorkers I’ve been observing and processing the occupation of Zuccatti Park with a sense of cautious enthusiasm. It took me a few days to figure out what it’s actually about, and I’ve come around to accept their position that protesting with no stated agenda is legitimate. Here are some resources I’ve found useful, but really the best way to get a sense for things is to walk around and talk to people in the park.
- Ezra Klein’s interview with David Graeber
- “We Are All Human Microphones Now”
- The Public School: Learning From Occupy Wall Street, meeting again next Sunday
- McKenzie Wark on Occupy Wall Street: ‘How to Occupy an Abstraction’
In short, there are two separate things happening:
- The occupation itself (also): a group of activists with a range of leftist politics (plus some Ron Paul supporters) are using occupation as a tactic
- The New York City General Assembly: an experimental process of political deliberation and decision making is being used to guide the occupation
One challenge I’ve been working through is how to best express my sympathy for the occupation without bailing on my existing responsibilities. My Fall schedule has been really busy, which has made it especially difficult to participate.
Of course there are a variety of things one can do to show support and I’m hoping to contribute in a way that plays to my strengths. Below is a project proposal I’ve submitted to the Occupennial art exhibition (more info).
I’ve been working on hacking a Linksys WRT54GL wifi router to run very simple web forum software I developed. It’s part of an art process that I’m calling Situated Net Art. Like other instances of net art it relies on web technologies such as HTML, but is intended to be experienced from a specific physical location rather than adopting the more universal context of the World Wide Web.
The motivation behind ows.offline is that the web offers a fantastic array of communication tools, but often the conversation suffers from certain trade-offs as the number of participants rises. Proximity could be a useful filter for those with the greatest need for better communication tools. The forum is an attempt to complement the existing deliberative process of the NYC General Assembly and offer its constituents a text-based forum to hash out their ideas with greater subtlety.
Another component I’m interested in exploring is how access to the necessary hardware is or is not available to occupiers. I would like to develop some kind of social contract that stipulates the laptop or smartphone being used to access the forum might be lent to those without access. A similar type of arrangement was used in Heath Bunting’s BorderXing database, where users of the site must agree to become internet providers in a kind of peer-to-peer distributed net cafe.
Photo courtesy of Flickr user shankbone
I’m not sure an art context is the best way to pursue this, but at least it’s a process I’m familiar with. I’m still pretty uncertain about the logistics of maintaining electricity and shepherding my little wireless router through the chaos of the plaza. Perhaps inclusion in an art exhibition is a way to keep the hardware safe and dry. The software itself is already written, I’m just trying to figure out the best way to deploy it. I’ll release the software soon on GitHub with instructions on how others might use it with their own wifi routers.
Of course I’m open to feedback, so please feel free to comment below.