This hits close to home since I’ve started posting about music here.
In cases like this, attacks on music blogs seem to be the latest example of the widening disconnect between the goals of the music industry’s promotional wing and its enforcement wing. Smart musicians and promoters understand that the Net is a powerful promotional tool, and know that sharing an artist’s music is the best way to earn new fans. The IFPI, on the other hand, writes clearly in its takedown notices that “Our top priority is to prevent the continued availability of the IFPI Represented Companies’ content on the internet.”
I’m kind of annoyed I missed the sold out Will Wright lecture last night. I had tickets and just totally forgot about it. But there’s a lot happening this weekend in my little sphere of interest, so maybe it’s good that I conserved some “going out energy.”
Friday, February 19
- Triple Canopy at the New Museum
- Flux Factory opening at their new space in LIC
- Bushwick galleries stay open late
Saturday, February 20
- A benefit party for the new home of Triple Canopy, Light Industry, and The Public School
- Homestead exhibition
- PechaKucha #9 with Zach Lieberman’s EyeWriter in the line-up
Sunday, February 21
- Sculpture Space: Utica’s Utopia (My friend Heather did a residency in Utica and there’s a video being screened about it.)
- The Phenomenal Handclap band is playing a free show at Brooklyn Bowl, which I’ll probably miss, but damn $2 Brooklyn lager!
And of course there are a few workshops with space left at Trade School including “Caviar: Demystified,” “Collecting amidst disaster” and “Accidental Pornographies: Developing Underground Health Magazines and Stealth Distribution Models.”
I’m going to stick around to see how Google Buzz develops, but Mushon does make some good points.
I couldn’t help but to post this link to Buzz as well.
Update: I changed my mind. Buzz is turned off.
Anthropogeomorphology Today: Current Programs and Projects of The Center for Land Use Interpretation
A Lecture by Matthew Coolidge, founder and director of The Center for Land Use Interpretation, part of Pratt Institute’s Spring Lecture Series
Monday, February 22, 6pm
60 St. James Place
(corner of Lafayette)
Listen to a BOMBLive! conversation between Matthew Coolidge and BOMB contributing editor and architect Deborah Gans after March 1 on BOMBsite.com.
Formerly known as Charlie Everywhere, from Saratoga Springs. I’m kind of curious who their label was worried about getting sued by.
Guitarist Josh Carter explained that the band made the change because they have signed a record deal with British label BBE, and that the label was concerned that the name Charlie Everywhere could see to trademark issues. Carter wasn’t sure why, but said it was better to be safe, especially when the band is planning the release of their already recorded album and an international summer tour.
The 1980 Olympics were kind of crazy:
After setting a new world record on July 30th, Polish pole vaulter Wladyslaw Kozakiewicz made a rude gesture (bras d’honneur) to the hostile, jeering Moscow crowd. The crowd was rooting for Soviet jumper Konstantin Volkov. The image was seen around the world except ironically in the Soviet Union and its satellite states. To many, it signified Polish resentment of Russia’s control over Eastern Europe; in Poland, the gesture became immediately known as Kozakiewicz’s gesture. (gest Kozakiewicza).
After the Olympics, the Soviet ambassador to Poland demanded that Kozakiewicz be stripped of his medal over his “insult to the Soviet people”. The official response of the Polish government was that the gesture had been an involuntary muscle spasm caused by his exertion. Kozakiewicz for his part promptly defected to West Germany.
Responding to Clay Shirky’s widely linked rant about women:
We need men as allies, men who both encourage women to speak up and who consciously choose to spotlight women who are talented. But, more importantly, we need men (and anyone with privilege) to consciously and conscientiously account for their own privilege and biases and to actively work to highlight and embrace diverse voices of all kinds. Your interpretation of others is just as (if not more) important in creating change as their efforts to impress you.
Some blog upgrade hiccups pushed this back into my feed reader as an unread item. Worth a read in case you missed it.