I admit it, I’m only linking this so you get to see Snoop Dogg get the Wall Street Journal stipple portrait treatment.
This story from Financial Times in November seems to have swapped in a new photo, so it’s fortunate that I saved a copy of this one to my hard drive. I was reminded of it after hearing this morning that the Dutch coalition government has collapsed over its Afghanistan withdrawal.
The Dutch have gone to considerable lengths to gain the confidence of locals with carefully calibrated patrolling of the province. “We recently started doing patrols on bicycles in Tarin Kowt,” said a senior Dutch official. “The population was surprised but they reacted positively. It is much easier to come into contact with people on a bicycle than sitting on a Bushmaster [protected mobility vehicle].”
Ellie is co-teaching a class at Trade School tomorrow night called Drawing for Pleasure and Relaxation. My (non-keyboard) hand coordination is kind of pathetic and I’d like some practice. It is full, unfortunately, but if you’re really into the idea it’d probably be fine to just show up.
Another one I’ll be going to on Thursday is Art Work: A Discussion about Art, Labor, and Economics, which has a companion newspaper edition and website. There are 3 seats left as of right now.
Also, in case you missed it, there’s a free lecture tonight by CLUI‘s Matthew Coolidge out at Pratt (although, not on the main campus).
I was happily surprised to see this interview by Shannon Darrough, who I work with on MoMA.org.
Nakamura’s MONO*crafts 2.0 was also a big inspiration for me when I was first getting into web design. It feels dated now, of course, but I remember feeling thrilled to see this bold assertion in the navigation: interfaces can be impractical, users can be invited to explore and play.
It’s about finding joy in randomness.
For most users of all ages – but especially teens – the Internet today is about socializing with people you already know. But I used to love the randomness of the Internet. I can’t tell you how formative it was for me to grow up talking to all sorts of random people online. So I feel pretty depressed every time I watch people flip out about the dangers of talking to strangers. Strangers helped me become who I was. Strangers taught me about a different world than what I knew in my small town. Strangers allowed me to see from a different perspective. Strangers introduced me to academia, gender theory, Ivy League colleges, the politics of war, etc.
I completely agree, ChatRoulette feels like my first experiences meeting random people in AOL chat rooms. But I can also understand why many people would find it too creepy to try out.
There’s an iPhone app called PhotoSwap that operates on a similar principle. It’s also fun, but it’s too bogged down by those who tag their suggestive, but PG-rated, images “NR” for no reporting to the system administrators.
Gareth Long’s giant lenticular prints based on the iconic-yet-anachronous 1991 cover designs for JD Salinger’s books are freaking me out right now … Something an aesthete in an early Star Trek movie might have had hanging on his wall.
To fully appreciate these you have to watch the videos on Gareth Long’s website.
This is required reading as far as I’m concerned. You may want to load up the print version to avoid clicking through each of the seven pages.
A “real-time historical fiction” web comic about contemporary life in Iran. The NY Times writes:
The Web comic, which will be published in book form next year, is written by Amir, a human rights activist, and illustrated by Khalil. First Second Books is keeping their last names confidential to protect their safety. The comic will be updated Mondays, Wednesdays and Fridays, and will be published simultaneously in English, Farsi, Arabic, French, Italian, Spanish and Dutch.
Link via The Morning News
This hits close to home since I’ve started posting about music here.
In cases like this, attacks on music blogs seem to be the latest example of the widening disconnect between the goals of the music industry’s promotional wing and its enforcement wing. Smart musicians and promoters understand that the Net is a powerful promotional tool, and know that sharing an artist’s music is the best way to earn new fans. The IFPI, on the other hand, writes clearly in its takedown notices that “Our top priority is to prevent the continued availability of the IFPI Represented Companies’ content on the internet.”
Link via Andy Baio