Franklin Gothic is the basis of MoMA’s typographic identity. August Hefner found some examples of Franklin Gothic being used at the museum dating back to the 1930s. One of the signs reads:
The public is urgently requested to visit the Galleries in the morning, from 10 to 12 and evening from 8 to 10 in order to avoid congesting the elevator service. If this request is complied with, it will not be necessary to charge admission.
I didn’t realize that the museum’s adaptation of the typeface, MoMA Gothic, was created by the same type designer as the original.
Due to the visual effect of viewing these from different angles, video does better justice to the works than a sequence of photos. Helpfully, Gareth Long provides such videos on his website. I’ve taken these and, with permission from the artist, edited them into a single clip. I also added a sound track, field recordings taken below Antarctic ice shelfs. The two seemed to fit somehow.
Jesse Schell is a professor at CMU who gave a presentation recently on games and their relationship to culture. The tone changes a lot toward the end of the presentation with a surprise (to me) ending. I disagree with his conclusion, but I’ll leave that for a future post.
Patrick Winston is a professor at Harvard who gave a great lecture on how to give a great lecture.
He emphasizes how to start a lecture, cycling in on the material, using verbal punctuation to indicate transitions, describing “near misses” that strengthen the intended concept, and asking questions. He also talks about using the blackboard, overhead projections, props, and “how to stop.”
I was reminded of this after seeing some 404 errors in my server logs to a podcast version of the videos I put together, but forgot to transfer to my new server. To download these into iTunes (and onto your video-enabled iPod), go to the Advanced menu, choose Subscribe to Podcast and enter: //phiffer.org/etc/how-to-speak.xml
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Ethnic Han make up 96% of China’s population according to official statistics. Other ethnic groups might be found performing in an ethnic theme park.
The most famous park, the Nationalities Park in Beijing, is a combination of museum and fairground. Ethnic workers from across China dress up in their native costumes for mostly Han tourists. (For a while, English signs there read “Racist Park,” an unfortunate translation of the Chinese name.) In some parks, Han workers dress up as natives — a practice given legitimacy by the Chinese government when Han children marched out in the costumes of the 55 minorities during the opening ceremony of the 2008 Summer Olympics.
The Dutch have gone to considerable lengths to gain the confidence of locals with carefully calibrated patrolling of the province. “We recently started doing patrols on bicycles in Tarin Kowt,” said a senior Dutch official. “The population was surprised but they reacted positively. It is much easier to come into contact with people on a bicycle than sitting on a Bushmaster [protected mobility vehicle].”
Ellie is co-teaching a class at Trade School tomorrow night called Drawing for Pleasure and Relaxation. My (non-keyboard) hand coordination is kind of pathetic and I’d like some practice. It is full, unfortunately, but if you’re really into the idea it’d probably be fine to just show up.
Another one I’ll be going to on Thursday is Art Work: A Discussion about Art, Labor, and Economics, which has a companion newspaper edition and website. There are 3 seats left as of right now.
Nakamura’s MONO*crafts 2.0 was also a big inspiration for me when I was first getting into web design. It feels dated now, of course, but I remember feeling thrilled to see this bold assertion in the navigation: interfaces can be impractical, users can be invited to explore and play.