David Chancellor got 3rd place in the People in the News category from the World Press Photo awards.
Local villagers fall upon the body of a dead elephant, starved of meat they reduce the huge carcass to bones in under 2 hours.
24 hours later the bones have also gone, all that’s visible are the fresh tracks from the remaining elephants returning to Mozambique under cover of darkness.
Well, kind of, thanks to a company that custom builds text-to-speech voices. Ebert’s new voice is compiled from his vast accumulated archive of reviews and commentary tracks.
CereProc didn’t need to hear me speaking a specific word in order for my “voice” to say it. They needed lots of words to determine the general idea of how I might say a word. They transcribed and programmed and tweaked and fiddled, and early this February, sent me the files for a beta version of my voice. I played it for Chaz, and she said, yes, she could tell it was me. For one thing it knew exactly how I said “I.”
CereProc is now blending in my audio snippets for “Casablanca,” where I sound enthusiastic, and “Floating Weeds,” where I sound calm and respectful. It’s nice to think of all these great movies sloshing around and coming out as my voice.
A great interview with the former head sound guy at Apple. The intro is in Dutch but the interview itself continues in English.
A gentleman in the comments with a NSFW user icon offers this bit of HTML geekery:
If you look at the Apple’s website source code, the element containing their copyright notice it’s actually called “sosumi”
Franklin Gothic is the basis of MoMA’s typographic identity. August Hefner found some examples of Franklin Gothic being used at the museum dating back to the 1930s. One of the signs reads:
The public is urgently requested to visit the Galleries in the morning, from 10 to 12 and evening from 8 to 10 in order to avoid congesting the elevator service. If this request is complied with, it will not be necessary to charge admission.
I didn’t realize that the museum’s adaptation of the typeface, MoMA Gothic, was created by the same type designer as the original.
Due to the visual effect of viewing these from different angles, video does better justice to the works than a sequence of photos. Helpfully, Gareth Long provides such videos on his website. I’ve taken these and, with permission from the artist, edited them into a single clip. I also added a sound track, field recordings taken below Antarctic ice shelfs. The two seemed to fit somehow.
Patrick Winston is a professor at Harvard who gave a great lecture on how to give a great lecture.
He emphasizes how to start a lecture, cycling in on the material, using verbal punctuation to indicate transitions, describing “near misses” that strengthen the intended concept, and asking questions. He also talks about using the blackboard, overhead projections, props, and “how to stop.”
I was reminded of this after seeing some 404 errors in my server logs to a podcast version of the videos I put together, but forgot to transfer to my new server. To download these into iTunes (and onto your video-enabled iPod), go to the Advanced menu, choose Subscribe to Podcast and enter: //phiffer.org/etc/how-to-speak.xml
In no particular order:
- NURTUREart’s Muse Fest is happening tonight in Williamsburg
- There’s a whole lot of stuff happening tomorrow night, but I’m sticking to my Trade School plans (still 2 seats left!)
- Which unfortunately means I’ll be missing Hype Machine’s CD-Swap (assigned to my Multimedia 1 class as extra credit)
- Andrew Schneider’s WOW+FLUTTER runs Thursday until Saturday at the Chocolate Factory
- My friend Kylie has a video/performance at P.S.1 on Saturday
Lawrence Lessig is primarily known for his Creative Commons project as well as books and masterful presentations on the same topic (the excellent free_culture presentation was my first exposure to his ideas).
More recently he’s been talking about reforming politics, about reforming Congress in particular. His argument is simple: money in Washington undermines our faith in democracy. It only makes sense, then, that he’s offered his supporters an opportunity to opt-out of those familiar MoveOn-style email fundraisers.
In this email, we’re doing something that no other advocacy group has ever done (or at least none we’ve heard of): We are giving you the opportunity to opt out of any email that asks for money — forever.
Not opt-out of emails altogether, just get rid of the “Donate Now” link at the bottom. From the special opt-out link:
Use the form below to opt out of future email appeals for financial contributions to Change Congress. We’ll still email to let you know about the latest news and opportunities to get involved in our work, but we’ll never ask you for money again.