Methods for a first party to acquire and assert a patent property against a second party are disclosed. The methods include obtaining an equity interest in the patent property. The methods further include writing a claim within the scope of the patent property. The claim is written to cover a product of the second party where the product includes a secret aspect. The methods further include filing the claim with a patent office.
Alas, my prior art has been one-upped by a comically evil corporation.
Apparently he revealed his new voice during an Oprah taping. His wife Chaz is hearing it for the first time in this video clip. It’s heartwarming and the guy is obviously very brave for going this route, but it also feels to me like an intrusion on their private moment.
Alright so I abandoned the comic I was making yesterday when I watched the closing ceremonies to the Olympics. Did you see that? The giant beavers, hockey players, moose, mounties? The dancing leaf babes? The voyageurs and the lumberjacks? It was unbelievable. And so here in remembrance of that display are some Canadian stereotypes to enjoy.
For my Multimedia 1 class tomorrow we’ll be covering audio, looking at interviewing as a form. I’m going to play an excerpt of an interview with Ira Glass from one of my longtime favorite podcasts, The Sound of Young America. I’m most interested in the last part, which starts around 33:38.
Tonight I’ll be going to the final workshop at Trade School. The topic being the future of the school itself:
As people with creative projects, we understand the value of creative labor regardless of its market value. Why don’t we share our resources? What happens when we decide how much our work is worth to each other? Let’s trade our skills, spaces, and objects.
It says there aren’t any seats available, but I’m going to swing by anyway. Starts at 7pm.
Well, kind of, thanks to a company that custom builds text-to-speech voices. Ebert’s new voice is compiled from his vast accumulated archive of reviews and commentary tracks.
CereProc didn’t need to hear me speaking a specific word in order for my “voice” to say it. They needed lots of words to determine the general idea of how I might say a word. They transcribed and programmed and tweaked and fiddled, and early this February, sent me the files for a beta version of my voice. I played it for Chaz, and she said, yes, she could tell it was me. For one thing it knew exactly how I said “I.”
CereProc is now blending in my audio snippets for “Casablanca,” where I sound enthusiastic, and “Floating Weeds,” where I sound calm and respectful. It’s nice to think of all these great movies sloshing around and coming out as my voice.