It was one year ago tomorrow that we launched the latest redesign of MoMA.org. (March 6 is a day that will be forever ingrained in the Digital Media team’s memory!) But MoMA has had an online presence for fifteen years now, since 1995, when an exhibition site for the design show Mutant Materials in Contemporary Design was developed. The following year, the Museum’s website, MoMA.org, officially launched, and we’ve been doing exhibition feature sites ever since.
One year ago I was working remotely from Groningen, NL where Ellie was doing a study abroad program. The weeks leading up to launch day were pretty brutal, probably my most intense working process since college. It seems so absurd, in retrospect, that most of it went down for me in that sleepy Dutch college town. Happy birthday MoMA.org! It was worth it.
I just got my first email from The Ebert Club and realized I forgot to link to it here. Roger Ebert says:
I want to make some money from the web. It may appear that I have an enormously successful web site here. I do. But I’m not making any money. In the years since the site began, my share of the profits has come to a pauper’s penny. The Far-Flung Correspondents aren’t the only ones here working for free. To be sure, the Sun-Times pays me handsomely, although less handsomely since we all went through a “belt-tightening,” so as not to lose our pants.
From the excellent pictures for sad children, a tragic gaming story. After reading the comic, go play You Have To Burn The Rope. Can you feel the sorrow of Grinning Colossus right before he disappears in a puff?
Methods for a first party to acquire and assert a patent property against a second party are disclosed. The methods include obtaining an equity interest in the patent property. The methods further include writing a claim within the scope of the patent property. The claim is written to cover a product of the second party where the product includes a secret aspect. The methods further include filing the claim with a patent office.
Alas, my prior art has been one-upped by a comically evil corporation.
Apparently he revealed his new voice during an Oprah taping. His wife Chaz is hearing it for the first time in this video clip. It’s heartwarming and the guy is obviously very brave for going this route, but it also feels to me like an intrusion on their private moment.
Alright so I abandoned the comic I was making yesterday when I watched the closing ceremonies to the Olympics. Did you see that? The giant beavers, hockey players, moose, mounties? The dancing leaf babes? The voyageurs and the lumberjacks? It was unbelievable. And so here in remembrance of that display are some Canadian stereotypes to enjoy.
For my Multimedia 1 class tomorrow we’ll be covering audio, looking at interviewing as a form. I’m going to play an excerpt of an interview with Ira Glass from one of my longtime favorite podcasts, The Sound of Young America. I’m most interested in the last part, which starts around 33:38.
Tonight I’ll be going to the final workshop at Trade School. The topic being the future of the school itself:
As people with creative projects, we understand the value of creative labor regardless of its market value. Why don’t we share our resources? What happens when we decide how much our work is worth to each other? Let’s trade our skills, spaces, and objects.
It says there aren’t any seats available, but I’m going to swing by anyway. Starts at 7pm.