Marina Abramović is having a retrospective here at MoMA. It’s the first time a performance artist has had such a show, which will include reenactments of her pieces by other performers. The main event is a new endurance piece:
Marina Abramović will perform in the Atrium at MoMA throughout the
duration of the exhibition, starting before the Museum opens each day
and continuing until after it closes.
The New Yorker has an article (subscriber-only) on the exhibition that I haven’t read yet. There’s also a podcast interview with Judith Thurman, who wrote the article, that provides some useful context.
I like how straightforward Hawking is about climate change (about 48 minutes in).
Charlie Rose: What worries you most about the future of the universe?
Stephen Hawking: I am not worried about the future of the universe. The universe will continue whatever happens. But the future of the human race, and of life on earth, is much less certain. We are in danger of destroying ourselves by our great insensitivity.
CR: What are we not doing to prevent these disasters that we absolutely should be doing?
SH: Not acting with sufficient urgency about climate change.
CR: Do you think we will survive?
SH: Maybe. (smiles)
I went to a public lecture by Hawking at CalTech a few years ago and was blown away by the experience. The first 10-15 minutes I was keeping up, but then suddenly I realized I wasn’t getting the math. The Q & A period was also well over my head, but I was struck by Hawking’s humor and stage presence.
If you’ve been following my posts here about the school, you may find this basic report to be redundant, but there’s something very nice about hearing Caroline (and Louise I think?) speaking on the radio.
Chatroulette is like Russian roulette, but instead of one bullet and 5 empty chambers, you have 5 cock-filled chambers and 1 chamber filled for reporters who think they’ll be breaking the latest tech trend.
It was one year ago tomorrow that we launched the latest redesign of MoMA.org. (March 6 is a day that will be forever ingrained in the Digital Media team’s memory!) But MoMA has had an online presence for fifteen years now, since 1995, when an exhibition site for the design show Mutant Materials in Contemporary Design was developed. The following year, the Museum’s website, MoMA.org, officially launched, and we’ve been doing exhibition feature sites ever since.
One year ago I was working remotely from Groningen, NL where Ellie was doing a study abroad program. The weeks leading up to launch day were pretty brutal, probably my most intense working process since college. It seems so absurd, in retrospect, that most of it went down for me in that sleepy Dutch college town. Happy birthday MoMA.org! It was worth it.
I just got my first email from The Ebert Club and realized I forgot to link to it here. Roger Ebert says:
I want to make some money from the web. It may appear that I have an enormously successful web site here. I do. But I’m not making any money. In the years since the site began, my share of the profits has come to a pauper’s penny. The Far-Flung Correspondents aren’t the only ones here working for free. To be sure, the Sun-Times pays me handsomely, although less handsomely since we all went through a “belt-tightening,” so as not to lose our pants.
From the excellent pictures for sad children, a tragic gaming story. After reading the comic, go play You Have To Burn The Rope. Can you feel the sorrow of Grinning Colossus right before he disappears in a puff?
Methods for a first party to acquire and assert a patent property against a second party are disclosed. The methods include obtaining an equity interest in the patent property. The methods further include writing a claim within the scope of the patent property. The claim is written to cover a product of the second party where the product includes a secret aspect. The methods further include filing the claim with a patent office.
Alas, my prior art has been one-upped by a comically evil corporation.