For an extra challenge we launched our weather balloon wifi rig at one of the most canine-dense areas of Central Park.
Last January Doug Henwood, one of my favorite lefty blogger-radio people, wrote a nasty response to Adam Davidson’s New York Times Magazine article on Wall Street:
For a while, I’ve been thinking about writing a piece on how NPR is more toxic than Fox News. Fox preaches to the choir. NPR, though, confuses and misinforms people who might otherwise know better. Its “liberal” reputation makes palatable a deeply orthodox message for a demographic that could be open to a more critical message.
The full critique will take some time. But a nice warm-up opportunity has just presented itself: a truly wretched piece of apologetic hackery by Adam Davidson, co-founder of NPR’s Planet Money economics reporting team, that appears in today’s New York Times magazine.
So I was excited to see that Davidson recently appeared on Henwood’s radio show, Behind the News:
Adam Davidson, host of NPR’s Planet Money and columnist for the New York Times Magazine, on finance, innovation, bourgeois ideology, journalism, and being mean on the Internet.
The discussion starts out with a lot of Henwood talking uninterrupted, and coming off a bit defensive, but then they get into an interesting big picture discussion about the nature of ideology in popular media. The blog post Henwood mentions in the introduction on Scott Walker’s victory in Wisconsin (and its follow-up) is also worthwhile.
The terms ‘hoax’ and ‘fake’ don’t seem quite right to me. This is theater, plain and simple. The audience—both online and in person (?)—isn’t in on the joke for the first act, but this is all part of the larger theater experience. This video is act 2, and the resulting conversation and press coverage is act 3.
There’s a lot of symbolism packed into these short YouTube videos, but age is one of the more potent ones to me. The central character this video opens with is a stand-in for the many generations who’ve squandered the natural world at the expense of our inheritors. We don’t feel so bad laughing at her in the first act because of what she represents. That she’s already a well-known figure within the Occupy narrative makes the big reveal all the sweeter. Bravo, Yes Men!
A 25 minute video on Ray Bradbury from The Atlantic.
I love that he lived in Los Angeles but didn’t drive a car. There’s also this moment at 4:25 where you see a sign above his desk “DON’T THINK.” Seems like sound advice for how to conduct yourself behind a keyboard, so I’ve added a similar one to my own desk.
From Occupy Seattle:
Last night Logan Price, a Seattle Occupier who’s now living in New York, managed to infiltrate a private party thrown by Shell Oil at the Space Needle to celebrate the launch of its Arctic drilling program. He caught this amazing video.
Everything about this is, quite frankly, hilarious. Beyond any satisfaction gleaned from seeing such a preposterous party come to a disastrous end, metaphors abound, and they’re about as subtle as a sledgehammer: if Shell can’t even handle a three-foot replica of a rig that pumps booze, how is the company going to fare in the Arctic deep?
I’m going to hold out hope that this was a legitimate malfunction on the part of Shell, not the work of an activist.
Two years ago, Mark Zuckerberg told startup publicist Mike Arrington that “people have really gotten comfortable not only sharing more information and different kinds, but more openly and with more people. That social norm is just something that has evolved over time.”
Facebook has evolved over time too. No longer privately held, it is itself a public company, with a public CEO. We think it’s time he evolves along with his company. In short, it’s time for Mark to go public too.
Here’s the deal: We’re going to pay for photos and videos of Mark Zuckerberg taken between now and Labor Day. Snap a photo or shoot some video of Mark. At a bar, after a conference, on the street. Totally great. We want pictures of him that he isn’t expecting to have made. If we run it, we’ll send you a cool $20.
I’m going to go out on a limb and say $20 is low compared to standard paparazzi rates. This reminds me a little of Rob Cockerham’s paparazzi contest, which was great fun to participate in.
Earlier this week on twitter I ‘tweeted’ what might be thought of as an 8-bit art history lecture. By “8-Bit” I mean that, in the same way an 8-bit portrait is accurate, if radically simplified, this is a blocky generalized history. I was spurred to give this lecture after Todd Florio passed on the artist, Tom Sachs’ observation that “Darth Vader IS Hitler. Yoda IS Buddha.” Sachs owns Foamcore, police barricades, and can make an almost entirely air-tight claim on NASA, but Star Wars is mine. Sorry Tom.
I’m pretty sure this is what the internet was invented for.
Last week, I wrote about how urban trees—or the lack thereof—can reveal income inequality. After writing that article, I was curious, could I actually see income inequality from space? It turned out to be easier than I expected.
He makes some interesting comparisons from satellite images of cities around the world. Here is where I live in Bushwick, Brooklyn compared with the place in New York State with the highest per-capita income, Hewlett Bay Park.
I feel slightly bad linking to this since I know a couple of the speakers on the list. But I still chuckled a bit as I was reading it. Now I see some chatter about a TED parody event.
The thing that struck me in the video, though, is that the rat is moving involuntarily. The rat’s body is walking, but it’s an advanced QWOP-style computer algorithm that’s in control. To me this research seems more similar to those creepy Boston Dynamics robots than other advances in rehabilitative medicine.
The rat, in this case, is just a meat-based robot. Now watch the video with that in mind, watch the spasms of the front legs, and the cooing encouragement from the lab tech. Creepy right?
Jason Wilson on presenting his project OuterBody while using it:
I’d always suspected that an on-stage experience would be interesting, if not transformative, so I took the opportunity to give my talk while wearing the OuterBody goggles that only allow me to see myself from a third person perspective. I’d imagined that seeing yourself on stage from the perspective of an audience member might reduce some stage fright if the sense of self could successfully move from your body on stage into the camera in the aisle. Let the attention fall on that disembodied you that you’re also staring at.