Tonight I am starting a two day art-making binge at something called Art Hack Day:
Art Hack Day is an internet-based nonprofit dedicated to hackers whose medium is art and artists whose medium is tech … Sixty artists-hackers and hacker-artists inhabit an art space to create an exhibit from scratch during 48h. We start on a Thursday evening with a meet & greet and provide good food, fast Internet, and equipment for collaborating on and creating new work. On Saturday evening we transition from hackspace to exhibition hall and the projects are shown to the public during a flash exhibit (open to the public just one evening).
Each Art Hack Day event has a theme, and this one is called Deluge.
The increased severity and frequency of extreme weather events, including recent years’ tropical storm systems, droughts and heat waves, are largely the result of human-induced climate change. In addition to widespread damage across the Atlantic seaside, Sandy’s flooding in New York’s Zone A confronted many artists and galleries directly with the reality of their environment, bringing undeniable gravity to a crisis that often seems distant. Decades of postponement and self-deceit will have to come to a close. But what comes next?
Come on out to Pioneer Works for the exhibition this Saturday, January 31st, starting at 7pm.
YouTube’s Content ID technology lets a musician take a cut of the advertising that runs on videos using their music, which is great for the Zoë Keatings of the world.
I got started with Content ID a couple of years ago when someone from Youtube reached out to me and I was offered a content management account to “claim” the soundtracks of these videos. The videos are dance performances, documentaries, amateur films, slideshows, animations, art projects, soundtracks to people doing things like skiing, miming, calligraphy or just playing video games. I love the variety of them all. Who knew there could be so many different ways to dance to my music?
Unfortunately this arrangement is changing as YouTube reconfigures itself to become a Spotify competitor. One of the requirements of the new service stipulates that Keating must post her entire catalog to participate.
Is such control too much for an artist to ask for in 2015? It’s one thing for individuals to upload all my music for free listening (it doesn’t bother me). It’s another thing entirely for a major corporation to force me to. I was encouraged to participate and now, after I’m invested, I’m being pressured into something I don’t want to do.
Another Medium post from Ellie, on her weed garden and closing panel at CSAA:
The non-native interlopers who’ve taken up residence in the harsh urban environment of Bushwick aren’t pushing out native species, they’re filling empty niches. Adapted to difficult conditions, with flexible reproductive habits and opportunistic growth patterns, these urban plants are much better-suited to living side by side with Homo sapiens, despite our indifference to (or even aggressive dislike of) them.
WNYC has a bunch of online stuff for tonight’s State of the Union speech. Not sure how I’ll pay attention to the enhanced web stream, the live chat (with the New Yorker’s own Amy Davidson), my Twitter stream, and also keep track of a bingo card, but I’m gonna give it a shot.
I did some light maintenance on something I made a few years ago on a previous Martin Luther King Jr. holiday. Mainly I replaced the QuickTime embed with the more modern <audio> tag and hooked it up to an interactive transcript. This makes it possible to deep-link into the speech:
We must rapidly begin the shift from a thing-oriented society to a person-oriented society. When machines and computers, profit motives and property rights, are considered more important than people, the giant triplets of racism, extreme materialism, and militarism are incapable of being conquered.
This was something I built when I was a student at ITP and making one-off web pages. At the time I was doing a daily exercise of creating a novel online artifact, figuring out the best way to express an idea in HTML/CSS/JS.
I’m happy to start tidying & conserving this old code. And glad to have an excuse to meditate on Dr. King’s speech at Riverside Church.
Ellie wrote about the climate debate within the climate movement:
After the failures (Copenhagen) and painfully slow progress (Cancun, Lima) seen at recent U.N. Climate Summits, we know we can’t trust our political leaders to get us there. The mass movement Naomi Klein speaks of shows its face here and there, but in my milieu, I see much more of the infighting, cynicism and turning away. Of course the movement Klein describes has to come from the grass roots level, not from academia, but we can’t just fight the status quo without a solution in mind. As she acknowledges, we need a destination to aim for, and a set of solutions to put in place once we get there.
Today I learned that the US government considers the US border as extending 100 miles into the country. This means that states like Maine, Michigan, and Florida are entirely within the border area and 2/3 of the US population lives within the border.
In an update to the post he explains that the border is actually more complicated than that. “Precise” and “linear” seem not at all how you would describe how borders actually behave in the world. There’s the 100 mile wide extended border, the functional equivalent border, and within those, the physical terrain where border stops occur and humans start getting involved. What your rights to privacy are in these areas seems pretty open to legal interpretation, and those rights are often abused by border patrol officers.
An automated online shopping bot with a budget of $100 a week in Bitcoin, is programmed to do a very specific task: go to one particular marketplace on the Deep Web and make one random purchase a week with the provided allowance. The purchases have all been compiled for an art show in Zurich … the programmers came home one day to find a shipment of 10 ecstasy pills, followed by an apparently very legit falsified Hungarian passport.
The article is mainly concerned with the question of “is it legal?” This, to me, seems like a terrible metric for an art project.
The first workshop will show students how to create a website with shared hosting where students can learn how simple it is to start their own social network and edit pages with a shell account. In the second workshop, students will build a “darknet” or private network independent of the Internet. Using a simple wifi router, students will be able to communicate in an anonymous forum.
Via Aaron Straup Cope’s excellent littlenets post (which I intend to write more about!):
So, according to theory, if two godlike omnipotent probably hairless illuminati space people—perfect players—went head to head, the second player would never be capable of taking the crown, no matter how flawless their performance. So despite all of chess’ finesse, this folly takes it down to the same peg as Connect Four. “Essentially, my solution is, what if you don’t know what the game is when you start playing?” Sommer says.
The police commissioner, William Bratton, was diplomatic, calling the gesture “inappropriate.” It was worse than that. It was an act of profound disrespect not only to de Blasio but also to the Ramos family members, who were there to grieve, not to witness a petulant display of resentment.
Cuba may be an island but its culture does not exist solely for local consumption. Bruguera’s foreign audience is the only one at present that can easily consume the flow of information about her artistic proposals, political views, and serial detentions. The Cuban people remain outside the picture so to speak, but Cuba’s status as an art world superpower comes under scrutiny.
I was interviewed by BBC correspondant Anna Bressanin for a show called Trending, talking ’bout Miranda July’s Somebody app. I’ve been using the service a bit, and it’s a lot of fun. The app is imperfect; the software is buggy, and I don’t like that it only works for iPhone, but the idea itself is interesting.
Hess’ Triangle sits on the ground outside of a cigar shop on the corner of Christopher and 7th Avenue, just a bit larger than a generously-sized pizza slice. Village Cigars bought the triangle in 1938 for $1,000.