Ellie on why killing weeds is counterproductive:
Is it really worth raging against the geographical pedigree of a plant introduced 200 years ago if it’s functioning to stabilize soil, feed late season pollinators, generate oxygen, cool the ground, and improve human mental health? Sure, there are villainous weeds out there (think Kudzu), but it’s all context-based, and plant communities that suffer from being overrun by a weedy villain are often not in the best shape to begin with.
Make sure you scroll all the way down to see all the lovely weed portraits.
See also: Next Epoch Seed Library on Ellie’s website.
the planet your personal fitness device!!
Does your lifestyle prevent you from qualifying for insurance discounts? Do you lack sufficient time for exercise or have limited access to sports facilities? Maybe you just want to keep your personal data private without having to pay higher insurance premiums for the privilege?
Unfit Bits provides solutions. At Unfit Bits, we are investigating DIY fitness spoofing techniques to allow you to create walking datasets without actually having to share your personal data. These techniques help produce personal data to qualify you for insurance rewards even if you can’t afford a high exercise lifestyle.
This Ursula K. Le Guin story is so good!
No known dialect of Ant employs any verbal person except the third person singular and plural and the first person plural. In this text, only the root forms of the verbs are used; so there is no way to decide whether the passage was intended to be an autobiography or a manifesto.
Long are the tunnels. Longer is the untunneled. No tunnel reaches the end of the untunneled. The untunneled goes on farther than we can go in ten days [i.e., forever]. Praise!
The mark translated “Praise!” is half of the customary salutation “Praise the Queen!” or “Long live the Queen!” or “Huzza for the Queen!”—but the word/mark signifying “Queen” has been omitted.
My friends Taeyoon and Roon have been working on a project called In Search of Personalized Time. Last year they were collaborating remotely, with Taeyoon working on-site at a festival in Seoul coordinating with Roon here in New York on a very different timezone.
It was, as if, we are living in someplace else—in-between New York and Seoul—and doesn’t completely belong to either of those two places.
Similarly, in our perceptions, those conference calls were happening not in New York or Seoul’s local time, but possibly elsewhen—sometime else, that the participants from both places share momentarily.
Perhaps, we could create a time device, that shows your personal time, so that you can interact with it without syncing back with the GMT. Then perhaps, we could network these devices, and think about how to negotiate these personal times from person to person. then perhaps, we could create an alternative time-system, a consensus time, the bottom up approach towards deciding what time it is now.
After syncing the devices to their personal clocks, the volunteers were asked to spend the afternoon on a “scavenger hunt for time,” taking the Art Book Fair as an opportunity to begin new conversations about their sense of lived time and the significance of publication as an act of preserving a particular moment.
Tonight I am starting a two day art-making binge at something called Art Hack Day:
Art Hack Day is an internet-based nonprofit dedicated to hackers whose medium is art and artists whose medium is tech … Sixty artists-hackers and hacker-artists inhabit an art space to create an exhibit from scratch during 48h. We start on a Thursday evening with a meet & greet and provide good food, fast Internet, and equipment for collaborating on and creating new work. On Saturday evening we transition from hackspace to exhibition hall and the projects are shown to the public during a flash exhibit (open to the public just one evening).
Each Art Hack Day event has a theme, and this one is called Deluge.
The increased severity and frequency of extreme weather events, including recent years’ tropical storm systems, droughts and heat waves, are largely the result of human-induced climate change. In addition to widespread damage across the Atlantic seaside, Sandy’s flooding in New York’s Zone A confronted many artists and galleries directly with the reality of their environment, bringing undeniable gravity to a crisis that often seems distant. Decades of postponement and self-deceit will have to come to a close. But what comes next?
Come on out to Pioneer Works for the exhibition this Saturday, January 31st, starting at 7pm.
From Jason Kottke’s weblog:
Today I learned that the US government considers the US border as extending 100 miles into the country. This means that states like Maine, Michigan, and Florida are entirely within the border area and 2/3 of the US population lives within the border.
In an update to the post he explains that the border is actually more complicated than that. “Precise” and “linear” seem not at all how you would describe how borders actually behave in the world. There’s the 100 mile wide extended border, the functional equivalent border, and within those, the physical terrain where border stops occur and humans start getting involved. What your rights to privacy are in these areas seems pretty open to legal interpretation, and those rights are often abused by border patrol officers.
In addition to the This American Life episode he links to, it also reminds me of the On The Media series about the experience of being detained. It also makes me think of Francis Alÿs’s performance/video The Green Line where he physically traced the “green line” border through Jerusalem using a can of green paint.