The only manifesto for such a thing could be a Tumblr, and the confusion and consternation that such a lack of directness would cause is its own militancy. It may be irritatingly meta, but that an aesthetic that is largely about glitchy digital networks should be discussed only via glitchy digital networks is hardly surprising … There is a consistency in the drive to move past the manifesto itself, to let the aesthetic actually take over. The aesthetic may be a gooey sort of object-oriented ontology, or it might be a fetishization of pixels, but at some point we move past the urge to talk about what it is that we’re doing, and just start doing it. The forced rhetorical conviction becomes superfluous as the proposition becomes reality.
Neal Stephenson: “I saw the best minds of my generation writing spam-filters.”
Bruce Sterling: “The wolf is beyond the door. The wolf is in the living room. This is the Anthropocenic condition.”
This one has been fun to watch come together:
Combining found natural materials (dead wood, foliage) with electrical wiring and living plants like moss and lichen, the sculptural installation took the form of a networked branch riddled with wires that seem to be either drawing power from or conveying power too the surrounding built environment. I filmed the sculpture as I built it, combining footage shot in the studio with details from the surprisingly vibrant forest outside my studio. The result is a piece that slowly reveals an ecosystem in which the lines between technological and biological evolution appear increasingly blurred.
It’s also worth relinking the Bruce Sterling talk which is also amazing.