Here is some video documentation of Ohm Ω, a performance drawing piece I helped create with the Future Archaeology crew at Splatterpool gallery. It was very experimental, in the sense that we had no idea how it would come together until it was up on the wall. And I think it came together very nicely, the audience really got into participating toward the end!
Here is some video documentation of my photo performance in November for Bushwick BETA Spaces. The piece uses three digital SLR cameras with their flash memory cards removed. It is still possible to take photos, but the resulting images can only be seen on the camera’s preview screen. They’re lost as soon as the next shot is taken.
Ulay, Marina Abramović’s partner from 1975-1988, sits with her during her performance. This was the first time they “performed” together since The Great Wall Walk (1988), when they each walked over 1,200 miles (2,000 km) along the Great Wall of China starting at opposite ends and meeting in the middle to say their goodbye.
Somebody in the comments asks the obvious: “I thought there was to be no interaction with the art.” To which the moderator responds: “Correct, no interaction, but this was her partner in life and art for 12 years who she has had almost no contact with since 1988…”
Marina Abramović is having a retrospective here at MoMA. It’s the first time a performance artist has had such a show, which will include reenactments of her pieces by other performers. The main event is a new endurance piece:
Marina Abramović will perform in the Atrium at MoMA throughout the
duration of the exhibition, starting before the Museum opens each day
and continuing until after it closes.
The New Yorker has an article (subscriber-only) on the exhibition that I haven’t read yet. There’s also a podcast interview with Judith Thurman, who wrote the article, that provides some useful context.