Their goal was giving everyone a voice. They were so obsessed with giving everyone a voice that they never stopped to wonder what would happen when everyone got one. And they never asked themselves what everyone meant. That’s Twitter’s original sin. Like Oppenheimer, Twitter was so obsessed with splitting the atom they never stopped to think what we’d do with it.
Decided to publish this message I just sent to a friend in Atlanta who emailed asking about how to find out when and where the protests are happening.
Thanks for the link, I’ll give that a read. It’s interesting how these dynamics of oppression seem to fit so neatly into historical precedent. How is it that us Americans think of ourselves as somehow immune to all of this?
We were out at JFK yesterday and it was a really great experience. Loud and angry, with overwhelming turnout. But honestly the smaller protests in lower-profile places in the world continue to be the ones that give me the most inspiration. It takes a lot more guts to show up for a tiny demonstration where you’re easily picked out of a crowd, or where small town dynamics make anonymous protest impossible.
BTW, I saw that Rep. John Lewis was out at ATL, just hanging out in the terminal until he got some answers. So awesome.
I feel like getting information about a protest is an ongoing challenge, especially at events that aren’t officially permitted by local government. There’s a kind of fine line to walk—organizers want to get the word out, for news of an event to spread. But if it’s technically an illegal gathering, it may be difficult to find “official” or consistent sources of good info. And this is where social media is helpful.
It’s a good time to get into Twitter I think, but the trick is in knowing who to follow and how to avoid feeling overwhelmed. My advice would be to find out people you know who went to protests in Atlanta, and just ask them to ping you next time they hear about something. For my part, I first heard about the JFK demonstration via Facebook Messenger (which I hate, but shit like this keeps me on it) from a friend who lives in LA, and then a couple hours later I got a mass email from an immigrant rights org. So maybe sign up for some email lists for local advocacy groups.
Anyway, good to know you’re thinking about this stuff! I am hopeful that we’ll continue to exercise our right to free assembly before things get even worse and it becomes too dangerous to protest (from police violence or stiffer court penalties). So in the interim, let’s go and put our various privileges to productive use while we can.
If you used Twitter today, you’ve probably heard it’s the social network’s 10th birthday. I used their API to recreate what Twitter’s first day looked like, by plugging in a sequence of ID numbers starting at number 20.
I’m curious what happened to those first 19 tweets, and some other subsequent missing ID numbers (e.g., 24, 27, 28). Were they deleted? If so, why? Also notable: missing tweet ID 105 returns “Sorry, you are not authorized to see this status.” instead of the usual “No status found with that ID.”
Yes, it’s about Twitter faves/likes/hearts. And yes, website design choices do influence user behavior!
I found myself not bookmarking, as I would have done a day earlier, a horrifying image retweeted by journalists depicting men using phones to film a woman being stoned to death for adultery. I did not “like” let alone “love” the image but wanted to note it as important. We must have a system which allows for capturing the significant as well as the appealing.
You may have experienced a version of this when a friend or loved one shares bad news on Facebook. I don’t “like” this, but I want to acknowledge it, and express my empathy. Facebook makes it easy to give that post a thumbs up. The cynical conspiracy theorist in me says this is an effort to make the site more compatible for a sale to Zuckerberg & Co.
The most baffling part is how Twitter is saying the new heart icon is “a universal symbol that resonates across languages, cultures, and time zones.” But then in the following sentence claiming that it is “more expressive, enabling you to convey a range of emotions and easily connect with people.”
It may be true that newer users—from a wider range of backgrounds—may find ❤️ symbols more familiar, but the ⭐️ undoubtedly offers greater flexibility in terms of which “emotions” are being conveyed.
“It’s a change that’s been fantastic for the platform,” said Weil. “We see now 6% more hearts, 6% more likes on Twitter than we saw with favorites.” He also noted that new users tend to engage 9% more with this change.
Back to Emily Bell in The Guardian:
The inherent tension at the centre of all modern communication businesses—including every news organisation—is that only the likable is reliably bankable.
The relaying of trauma, devastation and cruelty is not inherently profitable in the same way that the relaying of how awesome the new Adele track is or how much we adore kittens might be.
What if Ferguson had started to bubble, but there was no Twitter to catch on nationally? Would it ever make it through the algorithmic filtering on Facebook? Maybe, but with no transparency to the decisions, I cannot be sure.
Would Ferguson be buried in algorithmic censorship?
On Twitter, people say things that they think of as ephemeral and chatty. Their utterances are then treated as unequivocal political statements by people outside the conversation. Because there’s a kind of sensationalistic value in interpreting someone’s chattiness in partisan terms, tweets “are taken up as magnum opi to be leapt upon and eviscerated, not only by ideological opponents or threatened employers but by in-network peers.”
Anthropologists who study digital spaces have diagnosed that a common problem of online communication is “context collapse.” This plays with the oral-literate distinction: When you speak face-to-face, you’re always judging what you’re saying by the reaction of the person you’re speaking to. But when you write (or make a video or a podcast) online, what you’re saying can go anywhere, get read by anyone, and suddenly your words are finding audiences you never imagined you were speaking to.