There’s a grim undercurrent, following the Occupy Oakland eviction on Monday night, that Scott Olsen may be America’s Mohamed Bouazizi. If you haven’t seen the following video already, I urge you to take a moment and watch it. It really hits me in a visceral way, it fills me with dread and anger and nausea.
Last night’s march in solidarity with Occupy Oakland in New York City produced a similar video showing police clashing with protestors. Both videos use slow motion to help explain what’s happening, while elevating the emotional stakes.
In the second video police are swarming against singular individuals. But I also see a police force that’s outnumbered, that’s barely holding their own. While protestors are not responding violently, per se, this is clearly outside the bounds of effective nonviolent protest. Aggressive yelling is not the same as tackling and pinning somebody, but it’s going to increase the likelihood of escalations in violence.
The only way the Occupy movement can achieve meaningful change is through nonviolence. Similarly, the use of video to mobilize the public in solidarity must not overstate the case that police are wielding an inappropriate response against protestors. We only need to look to Oakland for evidence that current police tactics are dangerous and unwarranted. Or to Staten Island.
Goading on a conflict between police and activists, either as a release valve for built up frustrations or for the sake of damning YouTube case studies, is bad for the OWS movement. Obviously it’s bad for police. But it’s also bad for everyone else who are watching from a safe distance hoping that something transformative can come out of all this.
OK Go rocketed up through the indie rock world in large measure due to the band’s brilliant, lo-fi music videos, which have spread like wildfire on YouTube. But EMI, in a misguided attempt to wring every penny out of the band’s success, decided to block embedding on the YouTube videos – meaning the videos were unable to disseminate out through music and pop culture blogs, news sites, and personal blogs the way they did before the restriction. And that’s not a minor detail: the band saw a 90% drop in views when that restriction went into effect. As in, 100,000 views one day, 10,000 views the next.
It’s obvious what the bands have at stake in this situation: more people watching their music videos translate into more exposure. Which means more income for the band. One would assume that what’s good for the band is also good for the record labels. Why would they undermine their own success?
Apparently he revealed his new voice during an Oprah taping. His wife Chaz is hearing it for the first time in this video clip. It’s heartwarming and the guy is obviously very brave for going this route, but it also feels to me like an intrusion on their private moment.
Patrick Winston is a professor at Harvard who gave a great lecture on how to give a great lecture.
He emphasizes how to start a lecture, cycling in on the material, using verbal punctuation to indicate transitions, describing “near misses” that strengthen the intended concept, and asking questions. He also talks about using the blackboard, overhead projections, props, and “how to stop.”
I was reminded of this after seeing some 404 errors in my server logs to a podcast version of the videos I put together, but forgot to transfer to my new server. To download these into iTunes (and onto your video-enabled iPod), go to the Advanced menu, choose Subscribe to Podcast and enter: http://phiffer.org/etc/how-to-speak.xml